I, Executioner

I always shook when I came out of the Arena, but this time the tension wrapped my stomach in painful knots and salty perspiration stung my neck where I had shaved only a little over an hour earlier. And despite the heavy knot in my stomach. I felt strangely empty.
I had never been able to sort out my reactions to an Execution. The atmosphere of careful boredom, the strictly business-as-usual air failed to dull my senses as it did for the others. I could always taste the ozone in the air, mixed with the taste of fear—whether mine, or that of the Condemned, I never knew. My nostrils always gave an involuntary twitch at the confined odors and I felt an almost claustrophic fear at being packed into the Arena with the other nine hundred ninety-nine Citizens on Execution Duty.
I had been expecting my notice for several months before it finally came. I hadn't served Execution Duty for nearly two years. Usually it had figured out to every fourteen months or so on rotation, so I'd been ready for it. A little apprehensive—I always am—but ready.
At 9:00 in the morning, still only half awake (I'd purposely slept until the last minute), vaguely trying to remember the dream I'd had, I waited in front of the Arena for the ordeal to begin. The dream had been something about a knife, an operation. But I couldn't remember whether I'd been the doctor or the patient.
Our times of arrival had been staggered in our notices, so that a long queue wouldn't tie up traffic, but as usual the checkers were slow, and we were backed up a bit.
I didn't like waiting. Somehow I've always felt more exposed on the streets, although the brain-scanners must be more plentiful in an Arena than almost anywhere else. It's only logical that they should be. The scanners are set up to detect unusual patterns of stress in our brain waves as we pass close to them, and thus to pick out as quickly as possible those with incipient or developing neuroses or psychoses—the potential deviates. And where else would such an aberration be as likely to come out as in the Arena?
I had moved to the front of the short line. I flashed my notification of duty to the checker, and was waved on in. I found my proper seat on the aisle in the "T" section. It was a relief to sink into its plush depths and look the Arena over.
Once this had been a first-run Broadway theater—first a place where great plays were shown, and then later the more degenerate motion pictures. Those had been times of vicarious escape from reality—times when the populace ruled, and yet the masses hid their eyes from the world. Many things had changed since then, with the coming of regulated sanity and the achievement of world peace. Gone now were the black arts of forgetfulness, those media which practiced the enticement of the Citizen into irresponsible escape. Now this crowded theater was only a reminder. And a place of execution for those who would have sought escape here.